Dillon Cole || Scorpion Shard (
orderfromchaos) wrote2014-01-01 03:28 pm
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1. Video, public
[Dillon arrives precisely at noon sharp, January 1st, bargetime, because....of course he does. He doesn't notice this. The tranquilizers are gone from his system, but he's still trussed up in his full transport rig, immobile, masked, muffled, field of vision restricted by blinders. It's a little more involved than fiberglass cuffs, but it still only takes him a few minutes to wriggle just the right way, and piece by piece, his restraints fall away.
When he flicks the communicator on, he makes an incongruous picture: a young man with effortlessly, immaculately neat hair, wearing a distinctive and equally pristine prison orange jumpsuit. The glimpses of the room behind him lend themselves to a very prosaic early nineties teen, suburban and homey, and from one hand he dangles a particularly distinctive mask, with added eyes-forward style horse blinders.]
Hey, does anybody want a souped up Hannibal Lecter mask? I managed to get it off without breaking it, and it seems like the kind of thing that might come in handy sometimes around here.
...oh, and I'm Dillon. Hi.
When he flicks the communicator on, he makes an incongruous picture: a young man with effortlessly, immaculately neat hair, wearing a distinctive and equally pristine prison orange jumpsuit. The glimpses of the room behind him lend themselves to a very prosaic early nineties teen, suburban and homey, and from one hand he dangles a particularly distinctive mask, with added eyes-forward style horse blinders.]
Hey, does anybody want a souped up Hannibal Lecter mask? I managed to get it off without breaking it, and it seems like the kind of thing that might come in handy sometimes around here.
...oh, and I'm Dillon. Hi.
video ► private/video
Give it to me.
video ► private/video
You're not alright.
[This isn't a question. Solemn, not gentle enough to patronizing. A statement of fact.]
Tell me it won't hurt you worse to have it around, and I will.
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[Maybe she says this too quickly, but it's also what she believes to be true. On the other hand, she's believed many things to be true, and historically, so few of them are.]
I mean - it won't hurt me worse if you explain what that is. A "Hannibal Lecter" mask. Something from prison. Isn't it? A restraint?
private/video
[This part is gentle, but mildly so, not an obvious shift. He can tell already that it's real for her, though how exactly she's involved is deeply murky, and he doesn't really want to look closer.]
There's a movie about him, where I'm from. He wears something like it when he's locked up. I didn't know what else to call it.
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[It's confirmation enough. And when he says there's a movie, a tremble in her shoulders, a brightness in her eyes, but no overtly negative reaction. She just stares, unblinking, for a touch too long.]
I'd rather talk in person. If you don't mind. If you're not going to - bite.
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I won't.
Where do you want to meet?
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[If only because that isn't really Hannibal's kind of place. She shuts off the feed and goes to sit in a pew all the way at the back, knees pulled up to her chest.]
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[Five minutes. He's changed into jeans and a T-shirt, and he hovers for a moment on the threshold. He hasn't been inside a church since that disastrous confession in Los Angeles - but he takes a breath, crosses himself, and goes in.]
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[She waves two fingers at him when she sees him cross the threshold.]
It's me. [And then, realizing she hasn't actually introduced herself:] Um. Abigail.
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Pleased to meet you, Abigail.
[He doesn't offer his hand. He bites his lip, because he's a little nervous about how - precarious - she seems, but second-guessing and concealing seem like a bad idea, all things considered.]
I'll answer any questions as honestly as I can.
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The movie you were talking about. Hannibal Lecter is in prison. He was caught and put away and restrained. But what you showed me, that's your mask? Do I understand right?
[It's important to know circumstances of this kind of thing.]
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Yeah, that's right. The -
[He gestures to his eyes.]
- the blinders, they added those for me, but the part over the jaw, that's the kind he has to wear in prison.
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[She swallows - not out of fear. Guilt, maybe.]
Why did they need to keep you from seeing?
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keywords so accurate
nothing blew up it was a good day
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He doesn't say anything, just records the video, and turns it off again.]
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[She snaps the feed on again. The mask fits a little loosely; it was made for someone with a wider jaw, a longer face. But she can breathe through it easily, and her eyes are sharp and venomous with the blinders removed.]
[Not a single word. She just watches and waits.]
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When he turns his back on, the smile is gone, but it hovers in his eyes. He's angry. He's proud. He's pleased and he will work through other people no matter what options they take from him.]
It brings out your eyes. [My, what sharp teeth you have.]
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[It's muffled through the grille; she takes the mask off and places it carefully beside her, like a fragile relic of an ancient or future civilization. She smiles, bright and charming, razor wire.]
I know.
[You snooze, you lose. Maybe she'll mount it. Maybe not. Either way, they both know what it is: a trophy.]
[She cocks her head. Are you proud of me?]
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You've been busy. [Now. While he slept. Dillon, Ryan, Nathan.]
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[She can't lie convincingly enough about this, even to herself.]
Dillon's sweet. [Sounds like a lie, but she means it.] Don't eat him.
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Sweetness is easy to tolerate. [But this seemed rather rude to him.]
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[But she loves him so much. That's what Dillon saw, she thinks, the vengeful daughter. The conflict. That's why he looked away.]
I didn't want to disturb you. [A pause, the breath of a rest.] He couldn't have known you were here. He didn't check. He didn't even know what day it was. And most people don't expect to meet . . . you know. Fictional manifestations of paychological terror. Not their first day at work.
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[She loves him very much.]
Has he won you over with this [trophy] gift? [He lets amusement filter into his voice: a calming gesture, in it's way. Certainly he's not accusing her of being defensive. Not looking at these other people she cares for.]
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I guess he has. It's a good present. He's thoughtful just like me.
[Maybe not just like. She doesn't quite know yet. But she wants to find out.]
Does that make me shallow? [No, it doesn't. It makes her obsessive. But she already knew she was that.]
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No, Abigail. You are not shallow. [Hannibal's pride is predatory, but it is not wild. He kept hidden for so many years by simply being better. So long as the police, the world, knew that the Chesapeake Ripper was better than them, his pride was satisfied.
His pride is prowling, now. His smile widens.]
You have a depth to you that is unmatched.
[But she will never lie well enough to herself, she will never be obsessive enough, she will never match him.]
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[She's - wondering. She's never seen him like this. So dark and clear and impossible to understand, like a bottomless, brimming well. She wonders who'll fall into it this time. Not her, she vows. Not this time.]
But not because you're in pain. You still must be, but that can't be why . . . pain isn't.
It's nothing.
Not to you.
[Like me.]
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